Difference between revisions of "Martha Fooks"
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Martha joined the tech (ninja) team for [[Mikado 2017]], rigging and vainly attempting to operate lights in the dreaded Nuffield, where she fell in love with the society (and the director, [[Billy Boulton]]) and went on to emerge from the warm, dark womb of the lighting box to be born again as a chorus member in [[Half a Sixpence 2017]] and [[Mikado 2017 (Harrogate)]] that summer. | Martha joined the tech (ninja) team for [[Mikado 2017]], rigging and vainly attempting to operate lights in the dreaded Nuffield, where she fell in love with the society (and the director, [[Billy Boulton]]) and went on to emerge from the warm, dark womb of the lighting box to be born again as a chorus member in [[Half a Sixpence 2017]] and [[Mikado 2017 (Harrogate)]] that summer. | ||
In her second year, Martha resumed her usual chorus position for [[Ruddygore 2018]], and | In her second year, Martha resumed her usual chorus position for [[Ruddygore 2018]] after a painfully nervous audition. Next time, however, she came prepared, and was cast in her first principal role as Lady Jane, the unloved yet effervescent alto, in the society's hipster-inspired production of [[Patience 2018]]. It was also in her second year that Martha took the plunge and was voted into LOpSOc's Committee as Secretary. | ||
Now in her third year, Martha undertakes the new task - and it's not her Dissertation (which she should really start thinking about) - of Directing! Alongside Co-Director [[Delyth Simons]] and a wonderful Production Team, Martha intends to make Anglo-Saxons and Vikings of the LOpSOc cast for their upcoming production of 'Princess Ida'. | |||
=== History of Roles === | === History of Roles === | ||
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|- | |- | ||
| [[Ruddygore 2018]]||''Chorus'' | | [[Ruddygore 2018]]||''Chorus'' | ||
|- | |||
| [[Patience 2018]]||''Lady Jane'' | |||
|} | |} | ||
[[Category:People]] | [[Category:People]] | ||
Revision as of 14:17, 27 September 2018
Martha joined the tech (ninja) team for Mikado 2017, rigging and vainly attempting to operate lights in the dreaded Nuffield, where she fell in love with the society (and the director, Billy Boulton) and went on to emerge from the warm, dark womb of the lighting box to be born again as a chorus member in Half a Sixpence 2017 and Mikado 2017 (Harrogate) that summer.
In her second year, Martha resumed her usual chorus position for Ruddygore 2018 after a painfully nervous audition. Next time, however, she came prepared, and was cast in her first principal role as Lady Jane, the unloved yet effervescent alto, in the society's hipster-inspired production of Patience 2018. It was also in her second year that Martha took the plunge and was voted into LOpSOc's Committee as Secretary.
Now in her third year, Martha undertakes the new task - and it's not her Dissertation (which she should really start thinking about) - of Directing! Alongside Co-Director Delyth Simons and a wonderful Production Team, Martha intends to make Anglo-Saxons and Vikings of the LOpSOc cast for their upcoming production of 'Princess Ida'.
History of Roles
| Performance | Role |
|---|---|
| Mikado 2017 | Lighting Operator |
| Half a Sixpence 2017 | Chorus |
| Mikado 2017 (Harrogate) | Chorus |
| Ruddygore 2018 | Chorus |
| Patience 2018 | Lady Jane |